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	<title>fonts.com blog</title>
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	<link>http://blog.fonts.com</link>
	<description>A Space For Typographic Discussion</description>
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		<title>Customer Spotlight: Ireland.com</title>
		<link>http://blog.fonts.com/2013/05/13/customer-spotlight-ireland-com/</link>
		<comments>http://blog.fonts.com/2013/05/13/customer-spotlight-ireland-com/#comments</comments>
		<pubDate>Mon, 13 May 2013 15:53:01 +0000</pubDate>
		<dc:creator>Ryan Arruda</dc:creator>
				<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Rockwell]]></category>
		<category><![CDATA[slab serif]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[web fonts]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=7308</guid>
		<description><![CDATA[Ireland.com is the online presence of Tourism Ireland, an organization marketing the Emerald Isle as a premiere travel destination. The layout of the Ireland.com site is quite kinetic, with modular content blocks of varying size overlaid upon large, vibrant photographs. The site utilizes the Rockwell typeface family nearly exclusively; it’s employed not only for headlines, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Use SkyFonts to Sync Google Fonts to Your Desktop</title>
		<link>http://blog.fonts.com/2013/05/02/use-skyfonts-to-sync-google-fonts-to-your-desktop/</link>
		<comments>http://blog.fonts.com/2013/05/02/use-skyfonts-to-sync-google-fonts-to-your-desktop/#comments</comments>
		<pubDate>Thu, 02 May 2013 15:19:48 +0000</pubDate>
		<dc:creator>Darren Glenister</dc:creator>
				<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=7318</guid>
		<description><![CDATA[While more and more Web design is being done in the browser, much of the initial prototyping is still handled within desktop design apps. This requires Web designers who are working with Web fonts to also acquire desktop versions of their fonts. It also put an onus on Web font providers such as Google and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Fonts.com Web Fonts Master Subscription Offers Unlimited Desktop Fonts, Typographic Command for Digital and Print Design</title>
		<link>http://blog.fonts.com/2013/05/01/new-fonts-com-web-fonts-master-subscription-offers-unlimited-desktop-fonts-typographic-command-for-digital-and-print-design/</link>
		<comments>http://blog.fonts.com/2013/05/01/new-fonts-com-web-fonts-master-subscription-offers-unlimited-desktop-fonts-typographic-command-for-digital-and-print-design/#comments</comments>
		<pubDate>Wed, 01 May 2013 15:16:19 +0000</pubDate>
		<dc:creator>Johnathan Zsittnik</dc:creator>
				<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=7388</guid>
		<description><![CDATA[At Monotype, we believe that type is the foundation of good design and that this principle holds true whether you’re designing for the Web, print or any other medium. With the aim of providing the tools necessary to deliver great typography for all media, today we proudly unveil a major enhancement to our Fonts.com Web [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/05/01/new-fonts-com-web-fonts-master-subscription-offers-unlimited-desktop-fonts-typographic-command-for-digital-and-print-design/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>eText Fonts Provide Quality e-Reading Experiences</title>
		<link>http://blog.fonts.com/2013/04/03/etext-fonts-provide-quality-e-reading-experiences/</link>
		<comments>http://blog.fonts.com/2013/04/03/etext-fonts-provide-quality-e-reading-experiences/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 12:42:26 +0000</pubDate>
		<dc:creator>Alan Tam</dc:creator>
				<category><![CDATA[Type for Mobile]]></category>
		<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[e-books]]></category>
		<category><![CDATA[e-reader]]></category>
		<category><![CDATA[e-text]]></category>
		<category><![CDATA[ereader]]></category>
		<category><![CDATA[etext]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[Neue Helvetica]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web fonts]]></category>
		<category><![CDATA[webfonts]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=7297</guid>
		<description><![CDATA[I’m pleased to announce a collection of typefaces specifically crafted for high-quality e-reading experiences, particularly for content displayed at smaller text sizes. Intended for Web and digital content publishers and device manufacturers, the suite offers some of the most widely used typefaces traditionally used for print that have been designed and tuned for ease of [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Celebrating St. Patrick’s Day with Irish and Celtic Typography</title>
		<link>http://blog.fonts.com/2013/03/26/celebrating-st-patricks-day-with-irish-and-celtic-typography/</link>
		<comments>http://blog.fonts.com/2013/03/26/celebrating-st-patricks-day-with-irish-and-celtic-typography/#comments</comments>
		<pubDate>Tue, 26 Mar 2013 16:39:19 +0000</pubDate>
		<dc:creator>Matt Brinkerhoff</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=3674</guid>
		<description><![CDATA[Many of the traits that are traditionally associated with Celtic and Irish Typography are actually vestiges of the ancient Insular script style, originated in Ireland over 1400 years ago. Insular scripts, which are identified by their unique letterforms, all-capital case setting and often-ornamented or flourished letters, heavily influenced the Gaelic and Irish handwriting and type [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Type Designer Q&amp;A: Rod McDonald</title>
		<link>http://blog.fonts.com/2013/03/19/type-designer-qa-rod-mcdonald/</link>
		<comments>http://blog.fonts.com/2013/03/19/type-designer-qa-rod-mcdonald/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 15:57:25 +0000</pubDate>
		<dc:creator>Ryan Arruda</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=5600</guid>
		<description><![CDATA[For over four decades, Rod McDonald has held an impressive and multifaceted presence in the field of visual communication – graphic designer, type designer, writer and teacher, McDonald’s work has evolved from sign painting to photo lettering and into the arena of digital type design. One of McDonald’s most recent designs debuted in September of [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/03/19/type-designer-qa-rod-mcdonald/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Xenois, Erik Faulhaber’s Third Powerful Family</title>
		<link>http://blog.fonts.com/2013/03/14/xenois-erik-faulhabers-third-powerful-family/</link>
		<comments>http://blog.fonts.com/2013/03/14/xenois-erik-faulhabers-third-powerful-family/#comments</comments>
		<pubDate>Thu, 14 Mar 2013 15:11:26 +0000</pubDate>
		<dc:creator>Allan Haley</dc:creator>
				<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[web fonts]]></category>
		<category><![CDATA[webfonts]]></category>
		<category><![CDATA[xenois]]></category>
		<category><![CDATA[xenois sans]]></category>
		<category><![CDATA[xenois semi]]></category>
		<category><![CDATA[xenois serif]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=6906</guid>
		<description><![CDATA[There are common themes that run through each of Erik Faulhaber’s typeface designs: breadth of family size, applicability to a wide range of uses, and a search for character perfection. His Generis design is a system of four compatible families of slab serif, serif, sans serif and a “simple” sans in the spirit of American [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/03/14/xenois-erik-faulhabers-third-powerful-family/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Top 100 Web Fonts for February</title>
		<link>http://blog.fonts.com/2013/03/04/top-100-web-fonts-for-february/</link>
		<comments>http://blog.fonts.com/2013/03/04/top-100-web-fonts-for-february/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 14:35:29 +0000</pubDate>
		<dc:creator>Ryan Arruda</dc:creator>
				<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[top web fonts]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[web fonts]]></category>
		<category><![CDATA[webfonts]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=6821</guid>
		<description><![CDATA[Here’s a ranked listing of Fonts.com Web Fonts’ top 100 most used Web fonts for February 2013: Neue Helvetica Trade Gothic Helvetica Gill Sans Avenir Univers DIN Next Futura Avenir Next Neue Frutiger Frutiger Optima ITC Avant Garde Gothic Linotype Univers News Gothic Trade Gothic Next Century Gothic Monotype News Gothic Futura T Arial ITC Franklin [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/03/04/top-100-web-fonts-for-february/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Go Pro for Less and Design in the Browser for Free</title>
		<link>http://blog.fonts.com/2013/02/25/go-pro-for-less-and-design-in-the-browser-for-free/</link>
		<comments>http://blog.fonts.com/2013/02/25/go-pro-for-less-and-design-in-the-browser-for-free/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 20:24:52 +0000</pubDate>
		<dc:creator>Johnathan Zsittnik</dc:creator>
				<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[@font-face]]></category>
		<category><![CDATA[css]]></category>
		<category><![CDATA[Design in the browser]]></category>
		<category><![CDATA[fonts]]></category>
		<category><![CDATA[Typecast]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web fonts]]></category>
		<category><![CDATA[webfonts]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=6752</guid>
		<description><![CDATA[Our Fonts.com Web Fonts service has always provided great typefaces. Now it’s even easier to create great typography – thanks to the addition of the Typecast  design tool. Subscribe or upgrade to a Professional subscription now. New Professional subscriptions from $40/month Excellent news: We’ve redefined our Professional subscriptions to make them more affordable, plus we’re [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/02/25/go-pro-for-less-and-design-in-the-browser-for-free/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mantika Italic – A New Interpretation Of An Old Story</title>
		<link>http://blog.fonts.com/2013/02/06/mantika-italic-a-new-interpretation-of-an-old-story/</link>
		<comments>http://blog.fonts.com/2013/02/06/mantika-italic-a-new-interpretation-of-an-old-story/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 12:49:36 +0000</pubDate>
		<dc:creator>Allan Haley</dc:creator>
				<category><![CDATA[Type for Print]]></category>
		<category><![CDATA[Type for Web]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[italics]]></category>
		<category><![CDATA[mantika sans]]></category>
		<category><![CDATA[typefaces]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[web fonts]]></category>
		<category><![CDATA[webfonts]]></category>

		<guid isPermaLink="false">http://blog.fonts.com/?p=6731</guid>
		<description><![CDATA[Italics are the aristocrats of type: elegant, beautiful, and dignified. Their history can be traced back to a time before there were fonts of type, when only scribes and the most educated communicated with the written word. Traditional typographic history would have us believe that italic types were invented by Aldus Manutius in the late [...]]]></description>
		<wfw:commentRss>http://blog.fonts.com/2013/02/06/mantika-italic-a-new-interpretation-of-an-old-story/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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