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Posts Tagged ‘fonts’

by Ryan Arruda

CustomerSpotlight_SasquatchFestival

Occurring over four days at the end of May, the Sasquatch! Music Festival features an eclectic lineup of musicians performing at the Gorge Amphitheater in Quincy, Wash.

The festival’s site is a typographic delight. Utilizing colossal headlines and navigation elements all in the affable ultra weight of the ITC Kabel family, the site is reminiscent of 19th century broadsides — large, type driven, and visually arresting.

Despite the presentation being set almost exclusively in not only the same typeface, but the same weight of that selection, the use of scale as well as the muted, earthy color palette provides an engaging and navigable hierarchy.

In a slight divergence, the site’s body copy is set in the Futura family’s book weight. While certainly an aesthetic cousin of the ITC Kabel designs, Futura is decidedly more austere, making it apt for longer passages of text where former’s visually boisterous character would be to the detriment of the reader. The pairing works especially well given the contrast in the weights employed.

The ITC Kabel family is available in five weights, from the reserved book style to the hulking (yet charismatic) ultra weight. The Futura family is available in an expansive 20 styles, with weights from light to extra bold, including companion condensed widths as well. Both typeface families are available for desktop licensing, as well as online use through subscriptions to the Fonts.com Web Fonts service.


by Alan Tam

I’m pleased to announce a collection of typefaces specifically crafted for high-quality e-reading experiences, particularly for content displayed at smaller text sizes.

Intended for Web and digital content publishers and device manufacturers, the suite offers some of the most widely used typefaces traditionally used for print that have been designed and tuned for ease of readability and optimized performance on the Web and across devices. Classics like the Monotype Baskerville, ITC Galliard and Sabon designs were redrawn to improve their readability in various screen environments.

Our typeface designers worked to impart a richer contrast, an even color and slightly taller lowercase characters, all while ensuring that the typefaces appear as unmistakable cousins of their original print designs. The designs also include small caps and old style figures for professional-quality publishing design. These typefaces are available now through our Fonts.com Web Fonts subscribers for use on the Web.

eText Fonts

All typefaces in the collection have also been hand-hinted to display as clearly as possible across mobile devices from smartphones to tablets and e-readers. For device manufacturers, these fonts also take advantage of Monotype’s Edge™ tuning technology, enabling publishers to create and deliver high-quality, readable text across your device platforms and formats, including E Ink screens. The fonts look and perform best with devices that use Monotype’s iType font engine.

We intend to release more  fonts on an ongoing basis as part of our Monotype Portfolio for Digital Publishing, one of our value-added suites of typefaces and technologies designed to meet the requirements of customers in specific market segments. Our Monotype Portfolio for Digital Publishing addresses the needs of customers who are developing and delivering content for immersive reading on e-readers, tablets and other devices.

Our initial offering includes these popular designs:

Amasis eText (4 weights)

ITC Galliard eText  (4 weights)

Malabar eText (4 weights)

Monotype Baskerville eText (4 weights)

Neue Helvetica eText (4 weights)

Palatino eText (4 weights)

PMN Caecilia eText (4 weights)

Sabon eText (4 weights)

Ysobel eText (4 weights)

You can view the eText fonts here.

The Monotype eText typefaces can be licensed as Web fonts through our Fonts.com Web Fonts subscriptions. They are also ideal choices for e-book/publication titles, desktop publishing or as system fonts that are embedded in consumer electronics devices. Please contact Monotype for licensing details.

 


by Johnathan Zsittnik

Our Fonts.com Web Fonts service has always provided great typefaces. Now it’s even easier to create great typography – thanks to the addition of the Typecast  design tool.

Subscribe or upgrade to a Professional subscription now.

Subscribe-Now


New Professional subscriptions from $40/month

Fonts.com Web Fonts Professional PlanExcellent news: We’ve redefined our Professional subscriptions to make them more affordable, plus we’re including a free Typecast subscription (worth $29 per month) with every Professional plan. From new fonts and our most popular fonts hand-tuned for the Web, to new technology such as OpenType feature support and new services like Typecast, we’re always adding more to our Fonts.com Web Fonts subscriptions and will continue this trend going forward.

Our new Professional plans start at just $40 per month and include 1M pageviews per month, but you can add additional pageviews as needed. Like before, Professional plans also include the self-hosting option and desktop fonts for creating website mockups. If you’re currently subscribed to a Professional plan or a 1M, 1.5M or 2M pageview Standard plan, we’ll upgrade your account automatically to make life easy.

Create better Web typography with less hassle

Just as exciting is the free Typecast subscription you’ll get with your Pro plan. This tool could completely reshape the way you build websites.

3_color palette

Typecast is a powerful, browser-based design app that takes the pain out of designing with Web fonts. It lets you view, pair and compare Web fonts in the browser on full-length text without having to create screenshots, assemble comps or hand-code your CSS. Sliders, drop menus and simple inputs make it easy to set text in precise detail, and because you’re designing in the browser, you’re able see changes in real time and make better, faster decisions about quality, style and rendering.

As you design, standards-compliant HTML and CSS is produced behind the scenes, allowing you to quickly share Web-ready designs with developer colleagues and get more accurate prototypes in return. In the video below, Typecast’s Creative Director Jamie Neely offers you a look at the app in action:

Typecast — Experiment with Type from Typecast on Vimeo.

Typecast + Fonts.com Web Fonts: the perfect type pairing

Best of all, Fonts.com and Typecast work great together. You can design with every one of our 20,000 Web fonts in Typecast. Your Fonts.com account is linked to Typecast, so getting your design’s Web fonts onto your website is simple. When you’re ready to export your designs and start prototyping, Typecast will determine which fonts to serve up and provide an embed code that includes them. Going forward, you can continue to use Typecast to manage the font selections in your projects.

We want to play a part in reshaping typography on the Web, and feel this combination will help you make sound typographic decisions and refinements with the Fonts.com typefaces you know and love. To our new and current subscribers, we hope you enjoy Typecast. We sincerely believe it will help you create far better designs. We also believe it makes Fonts.com Web Fonts a far better offering and remain committed to growing these plans  with additional great services like Typecast as your needs evolve.

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Johnathan Zsittnik
Johnathan Zsittnik is the eCommerce Marketing Manager at Monotype Imaging. Johnathan holds both a bachelor’s degree in marketing and a master’s degree in business administration from Bentley University.



by Sampo Kaasila

Last week we announced the availability of a technology that allows Web designers to use OpenType features more easily and reliably. The technology which is incorporated into our Fonts.com Web Fonts service ensures that OpenType features such as ligatures, fractions and alternate characters are rendered, even when a visitor’s browser does not inherently support OpenType features.

If you’re new to OpenType features, have a look at this demo page . Simple on / off buttons allow you to preview text with and without the use of OpenType features, helping to illustrate the impact they can make.

We’re charting new territory with this capability. As such, we consider this an experimental feature and hope that you can provide us with your feedback to help us evolve it.

When you’re working on your project, the OpenType Feature control appears on the Add & Edit Fonts utility if your project contains a font with OpenType features. If you’ve had a chance to try it out, you’ll now notice that the tools introduced last week have been placed on a basic tab. Here you can activate OpenType features for a particular CSS selector. The first of our enhancements to the technology can be found on an advanced tab. This tab can be used to specify which portions of your text you want to apply OpenType features to, instead of turning them on or off for all text associated with a particular CSS selector. The advanced tab also features a simple online text editor to streamline the creation of Web content using these features.

The editor works inside the browser so you do not have to install anything. It shows what the text will look like as it is being edited, and it helps you see what features are available in the selected font and what features are available in the selected text.

This example shows the Fonts.com Web Fonts OpenType Feature control and illustrates use of ligatures and fractions. The code below was output from the text editor while creating the example shown below. This code may be a handy starting point when building your CSS or HTML, or when using OpenType features for targeted blocks of texts.

We’ve also been hard at work releasing more OpenType fonts for you to use. You can now refine Web font search results to display just those containing OpenType features as shown below. We’ve also provided a list of great choices here to help you get you started using OpenType features on the Web.

<!DOCTYPE html>
<html>
<head>
<meta charset="utf-8" />
<title></title>
<script type="text/javascript" src="http://fast.fonts.com/jsapi/74c1c08e-9c2a-4701-8328-4748e42bc503.js"></script>

<style>
.class-with-otf-main {
font-family: Ayita W03 Black; line-height: 01.5em;text-align:left;
}

.class-with-otf-0 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
–moz-font-feature-settings : ‘dlig= 1′,‘calt=0′;
–moz-font-feature-settings : “dlig” 1,“calt” 0;
–webkit-font-feature-settings : “dlig” 1,“calt” 0;
–ms-font-feature-settings : ‘dlig= 1′,‘calt=0′;
–o-font-feature-settings : “dlig” 1,“calt” 0;
font-feature-settings : “dlig” 1,“calt” 0;
}

.class-with-otf-1 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
}

.class-with-otf-2 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
–moz-font-feature-settings : ‘liga= 1′,‘calt=0′;
–moz-font-feature-settings : “liga” 1,“calt” 0;
–webkit-font-feature-settings : “liga” 1,“calt” 0;
–ms-font-feature-settings : ‘liga= 1′,‘calt=0′;
–o-font-feature-settings : “liga” 1,“calt” 0;
font-feature-settings : “liga” 1,“calt” 0;
}

.class-with-otf-3 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
}

.class-with-otf-4 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
–moz-font-feature-settings : ‘frac= 1′,‘calt=0′;
–moz-font-feature-settings : “frac” 1,“calt” 0;
–webkit-font-feature-settings : “frac” 1,“calt” 0;
–ms-font-feature-settings : ‘frac= 1′,‘calt=0′;
–o-font-feature-settings : “frac” 1,“calt” 0;
font-feature-settings : “frac” 1,“calt” 0;
}

.class-with-otf-5 {
font-size: 03.0em;
color: rgb(0, 0, 0);
text-decoration: none;
}

</style>
</head>
<body>
<div><span>st</span><span>acks of wa</span><span>ffl</span><span>es</span><span>1/2</span><span>off</span></div>
</body>
</html>

 


by Sampo Kaasila

The fact that all major Web browsers now support Web fonts is of course a great step forward for typography on the Web. However, not all Web browsers support the ability to use advanced typographic  features that are part of OpenType fonts, such as standard and discretionary ligatures, contextual alternates, small caps, fractions, swashes  and more. For this reason, it is important to know that OpenType font support is different from OpenType feature support.

OpenType fonts are supported by wrapping them into a WOFF container, or sometimes directly without the WOFF container.

The following example demonstrates text with and without standard ligatures.

standard ligatures

 The next example uses discretionary ligatures on the common ‘st’ letter combination.

discretionary ligatures

The text strings and character codes in the HTML stay the same no matter what OpenType features are used or not used. Instead, these features are simply controlled with the style, typically from the CSS file .

Unfortunately, the support for OpenType substitution features is not yet broadly available in Web browsers. The good news is that nearly all of the most recent releases of browsers offer some level of support for OpenType features or are expected to add support soon. This means that Web browsers are moving in the right direction. However, as of now, good support is missing from the most commonly used browsers. Moreover, it takes years to flush out old browsers from the market. All this has prevented the wide use of these OpenType features on the Web, until now .

Monotype is pleased to announce the beta release of a new cloud font technology solution within the Fonts.com Web Fonts service that makes it possible to immediately use these features in any browser that supports Web fonts.  For browsers that do not have solid support for OpenType substitution features, the cloud takes the information from the GSUB table in the font and compiles it into compact JavaScript code that these browsers can handle. The JavaScript code automatically transforms the glyph shapes into new, beautiful and typographically correct shapes.

As a Web designer, you can simply use standard CSS techniques for controlling these OpenType features, while relying on our service to ensure the page renders beautifully and as intended no matter what browser the visitor is using.

Fonts.com Web Fonts OpenType Features Control

To use this capability, sign in to your Fonts.com Web Fonts account and follow these steps

  1. Add one of the fonts listed here to a project. Be sure to select the version containing OT Features in the name. This list will grow rapidly, but for now, it will provide you with a few options to play around with.
  2. Open the Add & Edit Fonts control within your project on the Manage Web Fonts page.
  3. Click the OpenType Features tab and Use the Selector field to enter the names of the CSS selectors you would like to display using a font containing OpenType features.
  4. Choose the font containing OpenType features from the Select a font dropdown menu.
  5. A list of icons representing the OpenType features contained in the font will appear.
  6. Click the icon of any OpenType features you would like to use on your website.
  7. The preview text will change based on the OpenType features you select. (If nothing happens, modify the sample text in the ‘Test your own text here’ field to ensure your text string contains the necessary characters.
  8. Publish your project.

Check out this technology and start using OpenType features on the Web!


by Johnathan Zsittnik

Fonts.com serves a global audience. As such, we feel it’s important that our website ‘speaks’ more than just English. Today, you may have noticed the addition of two new languages to Fonts.com: German and Japanese. Both are among the most commonly spoken languages of our customer base and represent two of our fastest growing customer segments.

A look at the Fonts.com homepage in German

The next time you visit Fonts.com, if the language preference of your browser is set to German or Japanese, you will automatically be redirected to the German or Japanese version of the site. You can also use the language dropdown menu in the site’s upper right hand navigation to manually switch between languages. While the entire site has not yet been translated, just about everything you need  to browse fonts, purchase fonts or use our Fonts.com Web Fonts service is available in both German and Japanese. This includes the Fonts.com home page, the typeface family and product pages, the browse fonts pages, the Web fonts homepage, the Manage Web fonts page and the shopping cart. Content that has not yet been translated remains available in English, even when surfing in other languages.

Fonts.com's Manage Web Font Page in Japanese

A peek at the Web Fonts homepage on Fonts.com displayed in Japanese.

Over the coming weeks, we’ll continue to roll out many of the content pages in German and Japanese. If you’re wondering if additional languages will be added down the road, well, we’re considering that, too. For now, we invite our German and Japanese speaking friends to explore Fonts.com in their native language. We hope you enjoy this enhancement. But if you notice something doesn’t look quite right, please let us know.

Johnathan Zsittnik
Johnathan Zsittnik is the eCommerce Marketing Manager at Monotype Imaging. Johnathan holds both a bachelor’s degree in marketing and a master’s degree in business administration from Bentley University.



by Darren Glenister

Today, we are excited to commercially release SkyFonts – the first of its kind font rental service. As we say goodbye to a beta period that spanned more than 3 months and provided us with invaluable insight into your interests surrounding a new way of discovering and using fonts, we welcome a handful of new aspects of the SkyFonts experience that we’re confident you’ll enjoy.SkyFontsAs part of the release, we are revealing the full details of the SkyFonts credit system. As our beta participants know, credits are used in SkyFonts to rent fonts. A single credit is used to rent a font for a day. Three credits will allow you to rent a font for a month (30 days). Credits are available in packs of 15 or more at a price of $3 per credit – a price that was determined in part by your feedback. For short term projects that will be completed in a day or a month, we think that paying $3 — $9 to use a font is a nice alternative to paying for a perpetual font license. You can save a little on SkyFonts credits if you purchase them in larger quantities.

SkyFonts

Utilize the SkyFonts website to browse thousands of quality typeface families

Unlike the ‘beta credits’ which expire after 30 days, any credits purchased can be used for one year before expiring. The entire SkyFonts inventory will be available for free trial. Simply select the ‘try for 5 minutes’ option for access to the actual font data.

Once you’ve loaded up your account with credits, we’ve got plenty of options for you to spend them on. The SkyFonts catalog now boasts a selection of more than 8,000 fonts. You’ll discover designs from a broad range of top sources including our own Monotype, Linotype, ITC, Ascender and Bitstream foundries in addition to many of our foundry partners such as Mark Simonson, TypeTogether, Laura Worthington, Typodermic, the Chank Company, Yellow Design Studio, Emboss Fonts, Bean and Morris, Type Associates and Mint Type.SkyFonts

So what’s next for SkyFonts? We’re currently working on some additional enhancements to the website that will make it easier to explore the inventory. We’re also exploring options to allow you to browse and activate fonts in other places including design applications and other websites and services from Monotype.

As a thank you to the valuable feedback you’ve provided, we’ve topped off the accounts of our beta participants with 110 beta credits which can be used for the next 30 days. For those that haven’t signed up, we have something for you as well. Create your free account now and receive 10 free credits (good for one year). But do so quickly. This introductory offer won’t last.

 


by Ryan Arruda

Founded in Southern California nearly four decades ago, Mongoose is a recognized authority in the biking world. With an extensive collection of rugged mountain, BMX, and street bikes in their product line, it’s fitting that the company’s website is indeed peppered with a distinctly kinetic and visceral visual spirit.

Bold, prominent typography contrasts seamlessly with imagery overlaid with bright, saturated colors. The site’s top navigation features the DIN 1451 typeface for its main elements, as well as the stocky, bold weight of the ITC American Typewriter family for secondary items.

The body of the site follows in a similar vein — headlines are generously set in the EngSchrift style of DIN 1451, while subheadings and body copy are set in the bold and medium varieties of ITC American Typewriter, respectively. The friendliness of the ITC American Typewriter family is an especially nice foil to the seemingly pragmatic demeanor of DIN 145.

DIN 1451 is available in both a regular and condensed weight. ITC American Typewriter is available in three weights — light through bold — and features matching italic designs as well as three condensed styles. Both designs are available through subscriptions to the Fonts.com Web Fonts service.

Ryan Arruda
Ryan Arruda is the Web Content Strategist at Monotype Imaging. Ryan holds a bachelor’s degree in film studies from Clark University, and an MFA in graphic design from RISD.



by Ryan Arruda

Here’s a ranked listing of Fonts.com Web Fonts’ top 100 most used Web fonts for November 2012:

Neue Helvetica
Helvetica
Trade Gothic
Univers
Gill Sans
Neue Frutiger
Avenir
Avenir Next
Futura
DIN Next
Frutiger
ITC Avant Garde Gothic
Linotype Univers
News Gothic
Monotype News Gothic
PMN Caecilia
Trade Gothic Next
Neo Sans
Agilita
Arial
New Century Schoolbook
Linotype Didot
ITC Lubalin Graph
DIN 1451
Neue Haas Grotesk
ITC Franklin Gothic
ITC Garamond
Century Gothic
Univers Next
Frutiger Next
Optima
VAG Rounded
Abadi
Adelle
Twentieth Century
ITC Conduit
Rockwell
Soho
ITC Officina Sans
Garamond 3
Laurentian
Trade Gothic Next Soft Rounded
Neue Helvetica Arabic
ITC Fenice
News Gothic No.2
Eurostile LT
Soho Gothic
Frutiger Serif
ITC Century
Biome
Bauer Bodoni
Sassoon Sans
Candara
Sackers Gothic
Neue Helvetica eText
Harmonia Sans
Calibri
Futura T
Yakout
Times
Glypha
Novecento
MSung
ITC American Typewriter
Albany
ITC Franklin
Helvetica World
Sabon
Clarendon
Slate
Compatil Text
Gazette
Rotis II Sans
Georgia
Akko
Gill Sans Infant
Eurostile Next
Iridium
Georgia Pro
MHei
Monotype Garamond
Heisei Kaku Gothic
Neuzeit Office
Memphis
Bembo
Baskerville
Cachet
Azbuka
Serifa
Museo Slab
Museo Sans
Bodoni LT
ITC Officina Serif
Plantin
Aeris
Monotype Grotesque
CHei2
Basic Commercial
Janson Text
Andy


Ryan Arruda
Ryan Arruda is the Web Content Strategist at Monotype Imaging. Ryan holds a bachelor’s degree in film studies from Clark University, and an MFA in graphic design from RISD.



by Allan Haley

With just a roman and italic design, the Titanium Motors™ typefaces make about as small as a typeface family you can get. Compounding this, the design has no lowercase. But don’t let this lull you into thinking that the face is anything less than a commanding and powerful communication tool. Titanium Motors is retro and modern, built like a Mack® truck on steroids – and surprisingly versatile.

 Titanium Motors’ muscular weight creates powerful headlines, logos and signage – all with attitude and swagger. Its geometric character shapes, and distinctive letterforms speak to the modernity of the typeface, while the high-waisted counters and stressed strokes give Titanium Motors’ a subtle Art Deco flavor. Words like “bold,” “dynamic” and “authoritative” immediately come to mind.

Check out the “hero image” on Fonts.com’s home page, created by The Heads of State, or the image accompanying this post to see just how formidable a graphic statement this typeface can make. If Vin Diesel were a typeface, he would be Titanium Motors.

A collaboration of Steve Matteson and Jim Ford’s design talents, Titanium Motors was initially drawn as a custom font for a computer game. Since then, it has been used in a bevy of applications. Consider it for posters, flyers, packaging, publication design or Web banners.

The Titanium Motors family is available as desktop fonts from the Fonts.com and Linotype.com websites. It is also available as Web fonts through the Fonts.com Web Fonts service.

Allan Haley
Allan Haley is Director of Words & Letters at Monotype Imaging. Here he is responsible for strategic planning and creative implementation of just about everything related to typeface designs.