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Posts Tagged ‘garamond’

by Allan Haley

Two graphic designers, Matthew Robinson and Tom Wrigglesworth, decided that they wanted to find out which typeface was the most “earth friendly.” Their collaboration, called “Measuring Type,” took several popular typefaces and determined how much printer ink each consumed.

I’m suspect.

The study involved the Brush Script™, Comic Sans®, Cooper Black, Courier, Garamond, Helvetica®, Impact and Times New Roman® typefaces. The comparison was supposedly done by drawing out large-scale renditions of the typefaces using ballpoint pens, “allowing the remaining ink levels to display the ink efficiency of each typeface.”

Cute concept, but not exactly scientific. First, drawing a rendition of a typeface is not an accurate way to determine how much ink the actual typeface consumes. Second, if you’ve used a ballpoint pen, you know that you can do an awful lot of writing (certainly more than a half-dozen big letters) before any appreciable loss of ink is noticeable.

Then, there are the results. According to the study, Garamond used the least amount of ink, followed by Courier, Brush Script, Times New Roman and then Helvetica. Comic Sans, Cooper Black and Impact were deemed the ink-gluttons of the pack.

While I’m sure that Robinson and Wrigglesworth had the best of intentions with their study, it also ignores one of the main tenets of typographic communication: legibility. As I wrote in an earlier post, legibility is measure of how easy it is to distinguish one letter from another – a pretty important aspect when it comes to reading.

Garamond is generally considered to be a very legible typeface. Courier, because of its mono-width letters, however, is not. It is also less legible than the fourth place Times New Roman and the fifth place Helvetica. Because it is a script, the same holds true for the third place Brush Script.

If you want to save ink, the results of the Measuring Type study may be helpful. If, however, your goal is to make it easy for your readers to assimilate your content the study is a few points short of an em-quad.

Allan Haley
Allan Haley is Director of Words & Letters at Monotype Imaging. Here he is responsible for strategic planning and creative implementation of just about everything related to typeface designs.



by Allan Haley

The sixth installment in Illuminating Letters will be about the Century typeface family – the first typographic “super family.” The lineage of the first super family dates back to1894, to the fruits of the collaborative labors between publisher Theodore Lowe DeVinne and typographer Linn Boyd Benton. The Century family is in fact a dynasty. After several generations, it is now enjoying its third century as a powerful typographic communicator.

The Illuminating Letters series is about the most significant and enduring typeface families. Each article provides a brief history of the typeface; its design attributes, the availability of the original design and newer versions of the design, and tips for using the family. The first five Illuminating Letters articles have been about the Bodoni, Garamond, Franklin Gothic and Optima® typefaces. Future articles are scheduled to cover the Bembo®, Frutiger® and ITC Galliard™ designs. Each issue can also be downloaded as a print-friendly PDF.

If you would like us to shed some light on your favorite typeface, please let us know by commenting here – or by sending an email to allan.haley@fonts.com, and we will consider it for our growing list of future topics for Illuminating Letters.

Allan Haley
Allan Haley is Director of Words & Letters at Monotype Imaging. Here he is responsible for strategic planning and creative implementation of just about everything related to typeface designs.